Filed under: Art | Tags: Artists need to create on the same scale that society has the capacity to destroy, Lauren Bon, Not a Cornfield
Artists need to create on the same scale that society has the capacity to destroy.
I don’t know who created the cool neon sign that’s pictured above but the phrase itself seems to originate from an incredibly ambitious 2005 art project called ‘Not a Cornfield‘.
“Not A Cornfield is a living sculpture in the form of a field of corn. The corn itself, a powerful icon for millennia over large parts of Central America and beyond, can serve as a potent metaphor for those of us living in this unique megalopolis. This work follows a rich legacy of radical art during the 20th century on a grand scale. I intend this to be an event that aims at giving focus for reflection and action in a city unclear about where it’s energetic and historical center is. With this project I have undertaken to clean 32 acres of brownfield and bring in more than 1,500 truck loads of earth from elsewhere in order to prepare this rocky and mixed terrain for the planting of a million seeds. This art piece redeems a lost fertile ground, transforming what was left from the industrial era into a renewed space for the public. The California Department of Parks and Recreation is currently designing the historical park this site will become. This design process has taken several years so far and is a difficult process both because of the many communities adjacent to the site they would all like to serve and because of limited funding. By bringing attention to this site throughout the Not A Cornfield process we will also bring forth many questions about the nature of urban public space, about historical parks in a city so young and yet so diverse. About the questions of whose history would a historical park in the city center actually describe, and about the politics of land use and it’s incumbent inequities. Indeed, “Not A Cornfield” is about these very questions, polemics, arguments and discoveries. It is about redemption and hope. It is about the fallibility of words to create productive change. Artists need to create on the same scale that society has the capacity to destroy.”
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