Filed under: Copyright, Creative Commons, DRM, Imagination, Interview | Tags: Copyright, Cory Doctorow, Digital Rights Management, DRM, For the Win, Interview
I recently had a chance to hook up with Cory Doctorow again via skype for a quick 37 minute interview about all kinds of interesting things.
In this wide-ranging talk we cover quite a lot of ground.
What I love about this project is that Cory is leading from the front.
He’s seen the opportunity to put some real numbers behind a POD project, has laid his process bare and is experimenting with a number of price points for fans and consumers.
Anyone interested in self-publishing or Print on Demand needs to know more about this project.
From there we discuss his new book, specifically the idea of ‘gold farming’, which, very generally, is the act of gamers in 3rd world countries working their way thru complex gaming levels and amassing treasure, loot or gold which they then sell to 3rd parties who then sell it on to others.
Sounds ridiculous, right? Sounds like something out of a science fiction story, right?
Except that it’s real. A weird new kind of colonialism, or a virtual sweatshop.
This leads us to discuss ‘Benevolent Dictators’, hackable devices, technical vs information challenges before moving on to discuss DRM, digital locks and possible consequences of the proposed new Canadian copyright legislation contained in Bill C32.
The conversation ends with Cory offering some advice to young creators – digital natives – who may be confused by the current discussions of ‘piracy’, DRM, windowing, POD.
Some very interesting insights on creative strategy, partnerships.
What do you think about the ideas that Cory expresses in this interview?
Filed under: Copyright, DRM, Industry Change | Tags: Books on the Radio, Copyright, Digital Rights Management, Douglas & McIntyre, Jesse Finkelstein
At the beginning of February 2010, just before the Olympics rolled into town and before the independent literary showcase W2 Real Vancouver Writers’ Series took root in the local imagination, I was invited to speak on Copyright in the Digital Age to the Masters of Publishing class at SFU.
In preparation for that talk at SFU I spoke to an expert in the field of book publishing, copyright, international rights contracts by the name of Jesse Finkelstein.
Jesse is the Digital Assets and Foreign Rights Director at Douglas & McIntyre, Greystone Books and New Society Publishers. She leads the company’s digital publishing initiatives and the development of international rights sales for all three imprints.
Jesse was formerly an Associate Publisher at Raincoast Books as well as the Everything-That-Needs-Doing Person at Vehicule Press in Montreal. She is a graduate of McGill University as well as Simon Fraser’s Masters of Publishing program.
Over the past year I have had the pleasure of getting to know Jesse. We have had a few great, passionate conversations about rights, the digital wave and the adaptability of traditional publishing business models to fit new demands.
It was a real honour to have Jesse on the show and I think that you’ll agree that it’s a fascinating conversation.
And, even at 30 minutes, it’s way too short.
Please comment below with any thoughts, ideas or questions that you have about these issues or our conversation.
Filed under: Copyright, DRM, Industry Change, Pricing | Tags: Amazon, Book Publishing, Dan Brown, Digital Books, Digital download, Digital Rights Management, DRM, eBook, ebooks, File Sharing, Free Content, Harry Potter, P2P, Piracy, Publisher's Weekly, PW, S&S, Scholastic Books, Simon and Schuster, Stephen King, The Lost Symbol, Under the Dome
UPDATE: This post has been refreshed from its original state. That’s what I get for taking Publisher’s Weekly at its word.
Anyway, mid-way through this piece I ask readers to suspend their disbelief – difficult to do when reading a post on book publishing, pricing and digital content, I know – and follow my argument as I use the information from the Publisher’s Weekly column slightly out of context but not entirely out of the realm of possibility.
Please add any comments that you think are helpful.
Apparently S&S will be releasing the 1000+ page novel on November 10th and then dropping the ebook on the market on December 24th. Timing is everything, I guess.
The Publisher’s Weekly piece also notes that the S&S will be charging $35 for the eBook, however some further research conducted at StephenKing.com indicates that the ebook will sell for standard Kindle-pricing.
Mr King asks his readers not to “believe the press reports that the e-book reader price for Under the Dome will be $35. This was the result of confusion from a press release from the publisher… It is true that you cannot order the book as an e-download until December 24th, but the physical book, which is a beautiful thing, you can pre-order for less than $9–so who’s better than us?”
So, pricing right? It’s all up in the air. Nobody knows what anything is worth whether it’s a brand spankin’ new hardcover or an infinitely replicable digital file. Are they both worth $9? Really? Are publishers seriously asking the public to swallow that crock?
But they’re trapped between the ruthless capitalism of dominant retailers at war with each other and the ruthless efficiency of the digital age.
Let’s say for example that the Great Book Pricing War of 2009 wasn’t happening and skewing this argument beyond proportion and let’s say that S&S thought that $35 for a hard cover was a fair price – which it is – and that $35 for an eBook was also a fair price – which is arguable to say the least.
I float this scenario forward for your consideration because I have heard book publishers say the very same thing – that a digital file should be priced at the same level as the physical product.
To me this notion of equal pricing for physical/digital looks more like a series of test balloons designed to reinforce industry fears than skillful marketing strategies for new books by some of English language’s most beloved authors.
Who gave the final OK on that pricing strategy and where is he/she getting their information?
It’s well documented that the last Harry Potter book – itself a hefty tome – was pirated and disseminated almost immediately upon release (in fact, an in-house perp at Scholastic did the job even before the book hit the shelves) and surely the people at Simon and Schuster are aware that this will happen here, too. I expect that this book will be seeded widely within 24 hours of officially going on sale.
I have documented the bibliographic zeal that Stephen King’s fans show toward his work online in my presentations on DRM and Free Content. I expect that a great majority will look at the cost of $35 for the hard cover version as a fair price to pay – and indeed many of the people who use P2P/torrent sites to download and share Stephen King’s books are dedicated enough to purchase the physical copy – and will see the same price for a digital file as incomprehensibly expensive.
This will certainly bear watching. I have to believe that this is some kind of Big Author Test of Current Market Conditions rather than a strategy that S&S expects to trot out for every new hard cover release.
Dan Brown’s The Lost Symbol showed us something about this new digital/print landscape and the new Stephen King promises to yield even more data even if it seems that it will come at the expense of common sense.
But one must keep an open mind. Hopefully this publishing event will show us something new.
Filed under: BookCamp Vancouver 2009, Copyright, Creative Commons, DRM, Industry Change, Pricing | Tags: Book Sales, BookCamp Vancouver, Books, Brian O'Leary, Digital Rights Management, DRM, File Sharing, Frankfurt Book Fair, Free Content, Magellan Media Partners, O'Reilly Media, O'Reilly Tools of Change for Publishers, P2P, Piracy
Filed under: Copyright, Creative Commons, Enthusiasms, Industry Change, Kindle, Music | Tags: blip.tv, Cory Doctorow, Digital Rights Management, Doctorow's Law, DRM, ebooks, O'Reilly Tools of Change for Publishers
I have finally figured out how to embed video from Blip.tv! I am extremely happy to post this excellent video of Cory Doctorow speaking at the O’Reilly’s Tools of Change for Publishing Conference in February 2009. The title of Cory’s talk is TOC09 Digital Distribution and the Whip Hand: Don’t Get iTunesed with Your eBooks.
This video saw the first appearance of something called Doctorow’s Law, which states: “Any time someone puts a lock on something you own, against your wishes, and doesn’t give you the key, it’s not being done to your benefit.”