Filed under: Enthusiasms, Interview | Tags: Bazillion Points, Biulleh Nickerson, Chin Music Press, Dalton Higgins, Daniel Ekeroth, David Byrne, Groundwood Books, Leann Prain, Thomas Pynchon, Todd Shimoda, Zoe Whittall
This is a stack of books that has been lingering on a table in my kitchen.
As a book stack it’s a pretty good representation of writers that I would like to interview in the near future. The Pynchon and Byrne books might be representative long shots but why not go after the biggest and best?
One of these books has already been showcased. Chris Hutchinson’s Other People’s Lives was the very first Books on the Radio interview ever!
Filed under: BC Booksellers Association, Enthusiasms, Industry Change, Social Media, Thomas Pynchon | Tags: Book Trailers, ISBN, Marketing, Penguin Press, Thomas Pynchon, Uselessness
The ISBN – International Standard Book Number – is the unique 13 digit number or commercial book identifier that adorns the upc bar on the back of every book that’s available through standard trade channels. It’s the completely innocuous string of numbers within the little white rectangle on the back of the book jacket, usually in the bottom right corner. Out of the way, where no one can see it.
The ISBN is relegated to that remote jurisdiction because it’s not intended for use by the customer. It’s an industry identifier that booksellers, publishers, distributors, etc… use to specify and differentiate one book from another.
For instance, Penguin may have several different editions of a particular book still in print. Classics like Crime and Punishment are available in different translations, or newly reprinted editions and can be simultaneously available in trade, hard cover or mass market editions, each of which will have a separate, unique ISBN.
To the average book customer the details of the ISBN are useless. They just need to provide the bookseller with title, author, whether they want the book in hard cover or paperback, what they’re willing to pay and how long they’re willing to wait if the book is not currently in stock. That’s it. The ISBN does not need to be a part of the conversation.
Yet publishers insist on including the ISBN number in their print and digital advertising and it doesn’t make any sense.
I’ll use the otherwise masterful viral book trailer for Thomas Pynchon’s Inherent Vice as an example.
The above picture is a screen capture from the very end of the Pynchon book trailer and it gives the customer all the information she needs to make a purchase: name of the author, title of the book and date of release. Done. Customer has the info and can walk to their neighborhood bookstore or order it online.
The Penguin Press throws their logo in there as they should, then there’s some extra promotional writing in the upper right corner which is just a little narrative snapshot for the benefit of the customer and that’s fine, too. A really tight little package that the marketing/publicity people at Penguin should be proud of.
But they just can’t stop themselves from including the ISBN! It’s that mess of numbers to the right of the author/title info at the top of the video.
You know, 9781594202247.
It shouldn’t be there for a couple of reasons but mostly because it looks like crap. It’s visual clutter and it’s completely unnecessary.
For instance, since the book just recently came out and it’s the only book with that particular title by that particular author in print what are the chances that a customer will order the wrong copy of Inherent Vice by Thomas Pynchon by calling her favourite bookstore or punching those details into the search bar at Amazon? Zero, right?
Some have suggested that Penguin included the ISBN because it helps booksellers with their orders but that doesn’t make any sense either. If there’s a bookseller in North America that isn’t aware of the imminent appearance of a major new book written by a major author and published by one of the biggest publishers in the world then someone somewhere isn’t doing their job and it shouldn’t take a video posted on YouTube on the day of release to alert them.
Good marketing like good writing happens when you remove all the unnecessary parts and give the reader the pure essence.
The ISBN is not a part of that pure visual essence. It has its place and that place is not as a part of the advertising and marketing of a book.
Filed under: Enthusiasms, Industry Change, Social Media, Thomas Pynchon | Tags: Friday, George Plimpton, Gravity's Rainbow, Inherent Vice, Irvin Corey, National Book Award, Nixon Administration, Penguin Books, Thomas Pynchon
OMFG! The greatest book trailer ever produced. An absolutely brilliant sell job by the folks in marketing/publicity at Penguin USA. Great cinematography, excellent editing, great music, great voice, great tone. Whoever was in charge of making this happen just lapped the field, set the bar and shouldn’t be the one buying drinks until some time in 2010.
(However… come back from lunch, book people… is it really necessary to put the ISBN 13 in the title of the video? What are you thinking? Just for the record, just so that we can move past this point: nobody cares about the ISBN number. Nobody. Not a single person that I know ever thinks about it. At no point has anyone ever said, “Gee, that book sounds familiar, maybe if you tell me the ISBN number it’ll jog my memory.” Just sayin’.)
And why not follow it up with a glimpse back in time to those old, cold days of the Nixon Administration in 1973 when Thomas Pynchon won the National Book Award for Gravity’s Rainbow? Cool little video featuring George Plimpton and the man who accepted the award on behalf of Mr Pynchon, Irvin Corey.
Thomas Pynchon. One of the truly great writers of our time. Have a great weekend.